Musicological Contributions
Oriental Occidental Accord
Modi - Ichoi - Maqamat
Frets on the Tanbur
Symposium
Prince Dimitrie Cantemir
Salzburg/ Austria
17th century,
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12.- 15. July 2007
Lectures
Date:
Time:
Reporter:
Subject:
Thursday, July 12th
Opening lectures
6:00 p.m.
Prof. Dr. Oswald Panagl
Opening speech
Prof. Awad Elkish
Libya and Austria - a cultural relation
Friday, July 13th
From Origin to Present Time
9:00 - 12:30 a.m.
Part 1: Fundamental Subjects
Mohamed Askari
The basis of Arab music
Klaus Lang
Medieval European tone systems
Dr. Kifah Fakhouri
Challenge on viewing arab music education
Stefan Pohlit
Pythagoras and the 21st Century
Prof. Peter Braun
A Universal Basis of Music
2:30-6:00 p.m.
Part 2: Developments
Johannes Kotschy
In memoriam Prof. Martin Vogel: Libyan Culture Drift
Ali Osman
The Sudanese and Arabic music elements
Prof. Dr. Horst-Peter
Hesse
Music in the moorish Cordóba
Prof. Abdallah M. Sebai
The Infuence of Arab Music Elements on the European Music
Mag. art Hossam Mahmoud
The Maqam Conference of Cairo 1932
Rakya Mohsen
Arab Music after 1932, with particular consideration of "Al-oghneyah" (canto)
Saturday, July 14th
Variety and Inter-dependence
9:00-12:30 a.m.
Part 1: Theory and Practice
Mag. Ali
Nikrang
Continuity of Musicological Methodology of Avicenna and Farabi (10th and 11th century) by Abdalqâdir Marâghi (14th century)"
Prof. Dr. Amnon Shiloah
The Maqam concept in Arabic Writings
Prof. Yalçin Tura
Microintervals and their different functions in Oriental and European Music
Dorit Klebe
Performing the Maqam Concept in the Vocal Music of the Ottoman- Turkish Court
Prof. Violeta Dinescu
Byzantinian Influences on the Romanian Music
2:30-6:00 p.m.
Part 2: Manifestations
Dr. Ardian Ahmedaya
To maqamat and its interpretations in the musical life of Albanians
Dr. Dr. Iannis Zannos
The Ichos and Maqam parallels as Paradigms for Intercultural Communication in the Arts
Dr. Memo G. Schachiner
The role of the Ottoman Imperium in the sprading and increasing of the musical modi
Joshua
Horowitz
The Main Klezmer Modes
Mag. art Dalshad
Said
The use of Maqam in Kurdish music
Mag. Hande
Saglam
Maqam structures of the anatolian Ashiqs
Sunday, July 15th
Finale
01:00 p.m.
Public round-table-discussion with participants of the symposium, conclusions and aspects
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start: 12 jan 2005, up-date: 13 may 2007